Moore:Music ®

Christie • BC Sweet • Gonads • Solo

Youth is on Fire

Royal Albert Hall

And tonight's venue is...............

An “awayday” unlike any other this week – and a trip to London that had me sailing a sea of emotions, nostalgia, friendship, fatherhood, pride, you name it, I felt it on Tuesday.

This was the day I flew to London to watch my son Corey’s band Jilambis – open the Music For Youth Proms concert at The Royal Albert Hall. But before that, I had time to grab lunch with my old bandmate Stef, after nearly three decades had passed since we last saw each other. We had a lot of catching up to do, and it was great talking about the old band days. the following day, he was off into the recording studio to put down the drum track to one of those songs we wrote back in the 70’s, and thanks to the wonder of the internet, we will recreate it between three of the former band members.

Then it was on to the RHA, and a meeting up with an understandably nervous Corey, who sneaked me backstage to meet up with the rest of Jilambis as they got ‘in the zone’. Around 6.15pm, my Dad arrived with family from New Zealand, plus my new Stratocaster that was a birthday present from Miki (that had been languishing in Derby for 5 months ) and we took our seats to watch the show unfold.

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Well......

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this

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isn't

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Texas

Jilambis hit the stage like a rocket from a bottle, accompanied by screams and cheers from the 5,000 strong crowd. Storming through what is fast becoming their signature tune “Well, this isn’t Texas” – they were relentless,  no-one could’ve opened proceedings better. Followed by another group of young percussionists performing a fantastic urban rhythmic extravaganza based on “Stomp” the night was well and truly up and running.

There followed an evening of performances that left me stunned at the standard of musicianship in some of the young people today, and the diversity of their styles and influences. Too many to go into detail here, I must however mention The Greater Gwent Youth Modern Ensemble who performed a piece called Via Crucis that completely took my breath away. The control, the light and shade, the flawless (to these ears) execution of this powerful composition moved me to tears.  It makes me want to nuke the studios of X factor who purport to showcase the nation’s top talent. Yeah, right. I was full of pride that my son shared a stage with these people, as was his Grandad  (who distinguished himself by singing all the words to Elgar’s  Pomp and Circumstance at the end with considerable gusto)

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Balloon Frenzy heralds the end of a wonderful evening

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The Northamptonshire County Youth Orchestra belt out "Pomp & Circumstance" amid a flurry of balloons and confetti

There was more emotion to come however as I glimpsed my daughter going on 8 months pregnant for the first time. I don’t think anything prepares a Dad for the onset of Grandfatherhood! – but it was lovely to see her looking healthy.

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Mother to be.....

There was just time to indulge in a post-gig fast food fest with the band before I headed off to catch the early morning flight back to Spain, armed with a new guitar and some new memories.

Kev Moore

November 11, 2009 Posted by kevmoore | Music, Recording, Touring, Writing | , , , , , | 5 Comments

Los Mezcaleros @ Harley D’s – Carboneras

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This stunningly beautiful machine had made the journey down the coast from Malaga for the gig.

As a professional musician, lucky enough to be able to perform at large venues with the likes of BC Sweet and Christie,  I’m always aware of a natural downside, and that is the infrequency of these large shows. While it gives me a great quality of life, allowing me to spend nearly all of my time with Miki, instead of leaving her a “road widow”, the musician within me yearns for the stage on occasion. So when Mario, a friend who runs a great local band called Los Mezcaleros asked if I wanted to play at the motorbike-crazy Harley D’s bar just down the coast last Sunday, I was happy to oblige.

I offered up three songs I wanted to do with them, “Fire down Below” a Bob Seger song covered by one of my favourite vocalists, Jess Roden, and 2 songs from Graham Oliver of Saxon, whom I toured with a few years back – “Strong Arm of the Law” and “Wheels of Steel” -both biker favourites!

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Nothing beats an outdoor gig on a nice sunny Spanish afternoon....

We had a large contingent of Harley riders from Germany in attendance, who’d made the trek to Spain. In addition to running the three songs mentioned above, it was great to play ‘on the edge’ – jamming a whole load of songs I barely knew, but liked, in front of an appreciative audience.

Kev Moore

November 8, 2009 Posted by kevmoore | Music, Rock, Touring, Writing | , , , , , | 2 Comments

Strange Costumes Part III: Playing the Field

Kev cradles his bass paternally.......

Kev cradles his bass paternally.......

It’s been a long time coming, but I finally found some time to put the finishing touches to the third instalment of the Strange Costumes ‘Altered Book’ project that I’m working on in conjunction with Atlanta-based artist and writer Shelley M House. There will be a video version of it later.

As with the previous two, the rhythms are very African influenced. To create the rhythm track, I recorded four or five ‘live’ drum parts using a multiple drum pad module that you play just like a normal kit. for each track, I altered the parameters so the pads triggered different drums and percussion effects. The final, multiple drum track is quite insistent and chaotic, so I opted to overlay a vocal in a sixties, psychedelic ‘lazy’ style, to balance the speed of the piece.  The lyric is dictated very strictly by the words Shelley gave me, in her meter and order, and this, above all else, gives these musical pieces their unusual structure and form. I cannot escape into a chorus, and I have to find ways to fit words in that may conflict with the rhythm. It’s a lot of fun!  You will notice that some of the lyrics are hard to understand. That is because I have gone for an overall feel for the track, and to clearly enunciate them may have compromised that. The music is designed to be listened to in conjunction with reading the lyrics within Shelley’s art pieces. I’ve reproduced the lyrics below, with the small changes I made highlighted in blue:

Fantastic information we find in the field.
Tasty instrument, hear it play, food he likes. (Tasty instrument, hear it play)
Searching shallow ends for frogs and fish, we get too close and find that edges have snapped.
In scenery sharp and strange we play;
very vivid, very thin, and very fond of fruit.
I hope the tree-top toucan can support all the weight.
See the colorful two, overlap and sway,
planting the seeds of the future.
Penknife and pine, the hungry fulcrum faintly tips.
Our friends are prying and peculiar. Stories are told. Perfectly attractive, bold and yellow, red and blue.
We pick out our decorations so carefully.
We find seeds and weeds for large appetites, all of them eating out of habit.
Muddy mouthfuls make it difficult to speak.
Entire worlds are reduced to hums and beats.
Hands and arms, legs and feet, tiny twitters, a deep low beat. (tiny twitters in a deep low beat)
Graceful games turn frantic in a storm.
Run and frisk, high and low, coming in and out of sight. Quick and urgent, they cry, they cry.they cry, they cry…cry…

Words by Shelley M House, Music by Kev Moore

The breakdown in the middle begins with the gradual layering of sampled African choral vocals, mixed with tribal drumming and nature samples steadily building in intensity to re-introduce the main theme.  As the track fades, it departs a little from the trance-like single chord structure and I introduce some changes in the synth chords underneath, so that the lead guitar can be more expressive. The bass line remains the same however, and its always a nice effect, to keep the bass the same and change the underlying chords.

So there it is……enjoy!

You can listen to the first two parts of the series by clicking on the links below:

Strange Costumes

Draped in Strange Feathers

October 19, 2009 Posted by kevmoore | Home Studio, Music, Recording, Rock, Writing | , , , , | No Comments Yet

Time travel

The cassette I unearthed was dustier than this one, but at least mine had all the tape INSIDE!

The cassette I unearthed was dustier than this one, but at least mine had all the tape INSIDE!

Some days ago, a name from the past reappeared on my mailbox. That name was Stefan Cybichowski,  someone I hadn’t heard from for over 30 years. We used to share a flat in Derby, when he was a part-time drummer working at an electrical wholesalers, and I was a part-time bassist working at a power station.  Together, we were part of a band called “Crosstown Traffic“.  It was great to hear from him again, and it re-kindled a lot of old memories about those days. It also prompted me to dig around and I unearthed a dusty, badly-oxidized cassette of the band, circa 1978.  I remembered that we used to record things simply back then, to put it mildly. The rehearsals were recorded by putting a mono cassette recorder on the floor in the middle of us all, and using the built-in mic.  Needless to say, the sound quality left a lot to be desired, even on a pristine new tape listened to at the time, but stick on 30-odd years, and it takes on a strange quality, as though your past is an old, crumbling house and you are afforded a glimpse of it through murky cobwebbed windows.  It was fascinating, and I sought to clean up the tape as best I could. The results weren’t perfect, but after realizing what a fine set of songs we wrote, I am resolved to investing in some software to get the best out of these precious recordings.

One of the songs, “The Pimp” was re-worked and made it onto our Tubeless Hearts album in 1994, and you can listen to the ‘94 version here:

The Pimp

It was originally written in 1977. I would love to do a project where I re-record all of the songs with modern technology. A task appreciated perhaps by only the former band members maybe, but a labour of love nonetheless. The song I retrieved and sent to Stef last week was ‘Takin’ Time’. I salvaged it from the rehearsal snippets and tried to recreate its original format with some judicious editing. The sound quality is not great, but i think its worth persevering with. So listen to “Takin’Time” below, warts and all, and I’ll raise a glass to those guys that made making music such fun in those formative years:

Mark Bryan “Honeycombe” – Lead Guitar

Adrian “Fos” Foster – Guitar

Kev Moore – Bass

Jim Thomson – Vocals

Stefan Cybichowski – Drums


October 5, 2009 Posted by kevmoore | Home Studio, Music, Recording, Rock, Writing | , , , , , | 3 Comments

360˚ view of the Hutbergbühne • Kamenz

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As a follow up to the last post, click on the link and get a 360 degree trip around the venue we played at the weekend. We’re not the band featured in the pic, but you get an idea of what we saw from the stage!

CLICK HERE and then use the controls at the bottom to pan around the arena

Kev Moore

September 18, 2009 Posted by kevmoore | Music, Rock, Touring, Writing | , , | 3 Comments

Keep on Runnin’

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It has to be said (and I say it here quite a lot) that I’d probably do the time on stage for free. There, I am in my element. But the logistics of getting me onto one of those stages across the world can be so mind-bogglingly complex and frankly exhausting, it is THAT that I expect to be paid handsomely for!

Last weekend , for example, I appeared with CHRISTIE at the MDR Radio-sponsored open air concert in Kamenz, Germany. It started normally enough, rising at 7 a.m. here in Almeria, out of the house in half an hour and on the Autovia up to Alicante for a relatively civil 11.05 a.m. flight to Berlin.

My flight landed on time but unusually deposited me at Terminal E, the aviational equivalent of a space-time anomaly, out of synch with the rest of the known universe, and more specifically, my driver. After 30 minutes and no sign of a “meet’n'greet”, I texted the band, and the promoter. Some time later, our promoter, the annoyingly cheery Rudi, informed me to get up into the main terminal building, where Benny my driver was wandering the halls. For those of you familiar with the character Benny in the old English soap Crossroads, his name is strangely appropriate.

So, about 70 minutes after landing I was in a car, heading for Kamenz.  Fos, our guitarist whom I’d texted earlier, texted back to inform me they were heading for the hotel, after checking out the venue. He also informed me that I was, for some inexplicable reason, staying in a different hotel to the rest of the band, in a different town.  Okay, I thought, no problem. I’ll head there, get a shower get ready for the gig and rendezvous with the guys at the gig at 7.30pm. “No”, announced Benny, firmly in command, “We go to the gig first”.   I found this inexplicable, but later to my cost, I would understand why.  I asked him to phone Rudi to find out if there were hot water & shower facilities at the venue. “Ja, ja, naturlich”, came the breezy reply. Mollified, I settled back to ‘enjoy’ the rest of the three hour drive from the airport.

Arriving at the venue, I took advantage of the backstage catering had had dinner with friends from The Rubettes, Middle of the Road and other 70’s luminaries. My appetite sated, I eagerly sought the shower, armed with two towels the size of postage stamps that Rudi had thoughtfully provided for me.  Have you ever had one of those moments of clarity? – when you realize that no matter what you do, the day is heading down the toilet? Mine came right then, as I stood naked and shivering in the shower tray as ice cold Saxonian water gushed out all around me. Having lost all sense of feeling in my feet, I exited the shower in short order, before I lost all sense of feeling elsewhere.  Not easily defeated, and mindful that a rock musician’s hair has to be sorted at all costs, I retired to our dressing room, where I discovered to my unremitting joy that the sink had hot water. Very hot water. Impossible to touch. And, more importantly, no cold water supply with which to render it usable to humans. There followed a comedy of errors where I attempted to procure a number of plastic coffee cups in order to decant cold water from the sink in the toilet, into the sink in our dressing room, so I might be able to immerse my head in it. Yes, ladies and gentlemen, a glamorous profession indeed.

Suitably fed, frozen, scalded and coiffured in equal measure, I grabbed a few minutes to watch a couple of numbers by the Animals with Spencer Davis guesting, and met up with our friends Rainer, Tonie, and Franz to briefly say hi and exchange gifts. Promising to catch up with them after the show, I retreated backstage, where Fos, Simon and Jeff had finally arrived. We barely had 30 minutes to say hi, discuss the set, get dressed, and we were onstage at 8.30 pm. I considered wandering over to Fos during one of the songs to catch up on gossip, but thought I might put him off his solo….

The gig went really well, and we were all happy with the performance and the crowd’s response. I was just taking a deep breath back in the dressing room, looking forward to a few hours chilling with the guys when my nemesis, Benny reappeared. “Time to go” he said. “What???” I replied, nonplussed. “We must leave for the hotel.”  Heavy sigh.  Barley a word exchanged with my mates, I headed off into the night with Benny. “Where’s the hotel?” I asked him, as we wound our way through heavily wooded back roads.  “Cottbus”. He;’s very economical with his words, is Benny. But he only needed that one for maximum effect.  Dreading the answer, I asked the question: “How long?”  “Two hours”.  I plugged in my ipod and sank into misery. If I’d had some Leonard Cohen, I’d have listened to it.

At some point, we arrived at the Best Western, ironically situated in the East.  Bleary eyed, I signed in and asked Benny the next $64,000 question: “What time am I leaving?” “2.30 a.m.”  he said, with not a hint of humour. “Prompt.”

And so it came to pass that I staggered into a minibus outside the hotel at that ungodly hour and spent the wee small hours in the company of  the legendary Spencer Davis and assorted Animals.  I expected to arrive at the airport at least 3 hours before my flight, but even that didn’t happen. As we neared Tegel, Berlin’s airport, our driver encountered a series of roadblocks and diversions that ultimately prevented us from reaching our destination. He was one of those people that worships Sat-nav as some kind of ancient God, and defers to no other source. Like roadsigns. Or maps. Or common sense. My recently washed hair was in danger of being ripped out in sleep-deprived frustration. This whole macabre motorized ballet around the deserted streets of Berlin was brought to an overdue conclusion by Spencer shouting “turn left NOW! – Turn right HERE! “  . Even to the last, the driver was intent upon turning one way, and almost taking control of the wheel, we finally succeeded in steering ourselves into the airport departures area.  Luddite note: I will never , ever buy a Sat-Nav, except to prop open a door. If you don’t know where you’re going, you shouldn’t be allowed to leave the bloody house.

Somehow, after a 2 hour wait, a 2 and a half hour flight, and a 2 and a half hour drive, I managed a sunny smile for Miki when I finally arrived home Sunday lunchtime.  How the other half live, eh?

Kev Moore

September 17, 2009 Posted by kevmoore | Music, Rock, Touring, Writing | , , , , | 4 Comments

Alone, yet together….Sippin’ Wine

Phil Hendricks

Phil Hendricks

Graham Oliver

Kev Moore

Kev Moore

Throughout my career, I have collaborated on various projects with different artists over the years, and before the internet age, it usually involved me being in the same room with them.  However the session I’m going to highlight today differs from that.  It is a blues duet (for want of a better term) between me and Phil Hendricks,  Singer and guitarist with UK punk band The Stiffs, who my old mate and Gonads cohort Garry Bushell referred to (in his capacity as a Sounds journalist) as: ” pile driving pop-punk of the first order…a band to be reckoned with I’d wager..”

The project that involved us both was “End of an Era” -the solo album from Saxon’s Graham Oliver, his first release following the acrimonious split of the NWOBHM legends into two camps.  The song that we worked on has a fascinating history. When Graham was touring the States with Saxon, he went to Seattle to visit Jimi Hendrix’s grave, and met Jimi’s father. He gave him an old notebook of Jimi’s containing half-scribbled song ideas and lyrics. One of these was “Sippin’ Wine”. A track Graham fashioned in the way he thought Jimi would have finished it, and some extra lyrics from me.

Phil and I had never met, and put our vocal parts down at different times, and were not sure if we’d contributed to the finished product or not, and then, suddenly it was released, and we could both hear the finished version for the first time.

Over the ensuing years, I found the album in record racks in stores the world over, from Boston to Barcelona.  Then I noticed that later pressings of the disc omitted the track. Apparently, people acting for the Hendrix estate (not Jimi’s Dad) had asked for the track to be removed from the original running order.  The result is that the track is now a bona fide rarity, only to be found on a couple of thousand of the original pressings of the disc.

You can listen to it at the bottom of this entry.

Fast-forward to 2009, and a show I did recently in Germany with BC Sweet.  We were performing at a 70’s festival with The Rubettes and Eric Faulkner’s Bay City Rollers. During the soundcheck, the guitarist came up and introduced himself. It was Phil, and the circle, begun eight years previously, was complete.

LISTEN TO SIPPIN’ WINE:

September 11, 2009 Posted by kevmoore | Music, Recording, Rock, Touring, Writing | , , , , , | 5 Comments

Christie launch their own MySpace

Well, our webmaster Ray Chan has done all the hard work! go along and be one of the first friends! CHRISTIE MYSPACE

The new Christie MySpace page

The new Christie MySpace page

September 3, 2009 Posted by kevmoore | Uncategorized | | 2 Comments

Onstage and backstage @ Gronau

The “Auf die Ohren” festival (literal translation: On your ears!) at the Rock’n'Pop museum in Gronau where I performed recently with BC Sweet was covered by local TV company MR-GRONAU, who broadcast regular features from the region via their internet site.  You can visit it and see their full 38 minute special on the day of the concert HERE. But I’ve posted our section here on my site for your viewing pleasure. You will see that I am joined by a leading expert in the Alcohols of the World, a certain Mr. Michael Koch, who kindly takes time out from his busy drinking schedule to play lead guitar for BC Sweet!

Kev Moore

August 31, 2009 Posted by kevmoore | Music, Recording, Rock, Touring, Video, Writing | , , , | 4 Comments

Fair Exchange

Picture 35

Fair Exchange

You travel far
We travel further
You pay your money
Yet we pay none
Indeed, We’re paid to make this pilgrimage
To stages large and small
To stand before you, under lights
In every concert hall
You give, We give
Receive this gift of music
As we receive your cheers
That roll over the stage like waves
Year after loyal year
We never take for granted
The effort that you make
The hard-earned cash you’re spending
On the music we create
But I’ve seen the looks of happiness
That stretch into the distance
The glum into the glad profoundly rearranged
And I think it’s safe to say
The contract made, unspoken
Could be called a Fair Exchange.

© Kev Moore August 2009

August 27, 2009 Posted by kevmoore | Music, Rock, Touring, Writing | , , , , | No Comments Yet